Beaumaris Theatre Inc. acknowledges the Bunurong People of the Kulin Nation, the Traditional Owners of the land on which Beaumaris Theatre stands. We pay our respects to Victoria's First Peoples and their Elders past, present and emerging.
CONTENTS
Click on the headline below to jump through each section of the program.
from the writer
DIRECTOR’S NOTES
CAST & CREATIVES
ABOUT BEAUMARIS THEATRE
Theatre in Beaumaris: The History
Thank you to our supporters and sponsors for continuing to support Beaumaris Theatre.
This show’s varied content has been created for the enjoyment of all patrons. There’s a historical tribute to Beaumaris Theatre’s 70th anniversary, fun glimpses into the decades with smatterings of social commentary, the frivolity of Santa’s Workshop at the North Pole, sing-a-longs to popular songs from the eras, and original songs.
Challenges with adapting the 50th Anniversary Christmas Panto-Revue script for a 70th anniversary tribute included deciding where to cull to accommodate two additional decades, and envisaging whether 2023 audiences will appreciate the same humour as in 2003. Social attitudes have changed over the past 20 years, but overall, hopefully, good old-fashioned, even corny, laugh-out-loud humour appreciation has remained the same.
I was delighted that Debbie Keyt agreed to direct this 70th anniversary show. Debbie’s positive nature infuses wonderful energy into her productions, and her respect for the writer’s original vision is greatly appreciated. Thanks also to Rhonda Vaughan (Musical Director) for arranging the original songs for the band, and to Camilla Klesman (Choreographer) for bringing the music alive visually with dance moves.
Mega good wishes to Debbie Keyt and her delightful cast and crew for a successful season of Beaumaris Theatre’s 70th Anniversary Christmas Panto-Revue. To you, the audience, thanks for attending.
I do hope you enjoy celebrating Beaumaris Theatre’s 70th birthday.
Cheryl Threadgold
It was a thrill 20 years ago to be invited to audition for our 50th Anniversary Panto-Revue and to be cast as the Maria Doll and fulfil a life-long dream of ‘being’ Maria as well as the 1960s Decade performer, which was the decade I was born in. We had an absolute ball and so did our audiences.
A couple of years ago, Cheryl approached me and asked if I thought there was a chance, Beaumaris Theatre would be keen to revisit an updated version for our special 70th Anniversary and would I like to direct it this time. How could I refuse such a wonderful offer!
It is sincerely an honour and a privilege to be staging Beaumaris Theatre’s 70th Anniversary Christmas Panto-Revue, which serendipitously happens to be our 300th production too. Cheryl’s passion for the project is inspirational and her dedicated research over a twenty year period is truly commendable. The beautifully unique script is informative, clever, funny and entertaining and taking the reprisal from page to stage has been a joy.
I am delighted to be collaborating with my dearest friends Rhonda and Camilla once more and their musical and choreographic talents are exceptional.
Heartfelt thanks to Adam and Fred for their technical genius and obliging manner and we’re so fortunate to have George and Zara carrying out the tech duties.
I am profoundly thankful to Jen, Sam and Cheryllyn for their marvellous creativity and imaginative flair and for designing such exquisite costumes to bring the decades and North Pole folk alive in full colour and exuberant vibrancy.
Our terrific artistic team has been completed by Pietro, Ella and Deb helping with the set and props to create the magic of theatre.
Extra special thanks to our behind-the-scenes ‘elves’ led by Lynda, Fiona and Steve with help from Jeremy, Colin, Colin, Kerry, Ellie, Lorraine, Annalei and Amy for industriously and meticulously carrying out the thousand and one tasks required to transform our stage to the enchanted North Pole and help us time travel throughout the exciting decade scenes. Lovely Lynda is also responsible for creating our magnificent Christmas wonderland and a celebratory feel in our foyer to welcome and transport our audiences on a fabulous adventure.
How splendid it has been to hand-pick our extraordinary dream cast- Steve, Bernie, Mark, Ellie, Andrea, Kerry, Claire, Fiona, Angus, Barb, Juliet, Lynda, Ross, Stephen, Brontee, Amy, Annalei, Kate, Tracey, Mary, Cheryllyn, Bella, Sue, Stew, Lorraine, Emma, Colin, Colin and Karen: our rehearsals have been an utter pleasure as we worked together to make our tribute show the very best it could be and a nostalgic stroll down memory lane alongside the shenanigans of Santa’s workshop.
Heartfelt thanks to our current committee, Trevor, Dan, Robyn, Steve, Jen, Kristina, Deb, Lynda, Fiona, Adam, Harrison and Georgy who together produce theatre of the highest standard that both entertains and challenges while creating a friendly, happy and nurturing environment for our thespians and audiences alike.
Now it’s time to share our passion and enjoyment with our appreciative audiences as we take you on a sentimental journey and celebrate all that we love about Beaumaris Theatre and our very rich history and all that we have to look forward to ahead…
Deb Keyt, Director
MUSICAL NUMBERS
Original Songs *
Written by Cheryl Threadgold
Arranged by Rhonda Vaughan
ACT 1
Overture*- Panto- Revue Band
“Beaumaris Revue”* – Ensemble
“Skivvies’ Song Links” *- Keith & Skivvies
“Decades Song”* - 1950, 1960, 1970, 1980, 1990, 2000, 2010, 2020
“Us Elves”*- E1, E2, E3, E4, E6, E7, E8
“Naughty ‘n Nice Elf”* - E5
“Toys Alive”* - Bride Doll, Maria Doll, Trevor Teddy
“Ho! Ho! Oh! Oh” * - Santa, Mrs Claus & Elves
Plus:
“Oh My Goodness”- Betty-Lou (and Mum)
Revel H/ Gordon M, BMG Rights Management (Australia)
“That’ll Be the Day”- Ensemble & Audience sing-a-long
Allison J/ Holly B/ Petty N Southern Music Publishing Co (Aus/Asia) P/L
“Hey Big Spender”- Betty-Lou (and Mum)
Coleman D/Fields C, Wise Music 1 Pty Ltd
“Saturday Night at the Movies”- Ensemble & Audience sing-a-long
Written by Barry Mann and Cynthia Weil © Screen Gems-EMI Music Inc. Licensed by EMI Music Publishing Australia Pty Limited
“I Will Survive” – Betty-Lou (and Mum)
Dino Fekaris and Freddie Perren 1978
Universal Music Publishing PTY LTD
“Can’t Stop the Music”- Ensemble & sing-a-long
Written by Henri Belolo, Jacques Morali, Phil Hurtt and Beauris A. Whitehead © 1980 Gailee’ Publishing
ACT 2
Overture* - Panto-Revue Band
Finale* - Ensemble
Plus:
“The Loco-motion” – Betty-Lou (and Mum)
King C/Goffin G. EMI Music Publishing Australia Pty. Ltd
“Downunder” – Soloists Amy & Emma with Ensemble and audience sing-a-long
Hay C/Strykert R. EMI Songs Australia Pty. Ltd.
“Wannabe” - Betty-Lou (and Mum)
Rowe, Beckham, Brown, Bunton, Chisholm, Halliwell & Stannard 1996, Universal Music Publishing Pty. Ltd.
“Mambo No 5- A Little Bit Of”- Ensemble and audience sing-a-long
Lubega B/ Pletschacher C/ Prado D Southern Music Publishing Company (A’Asia) Pty. Ltd.
“You Made Me Love You”- Betty-Lou (and Mum)
Monaco J/ McCarthy J
“Jingle Bell Rock”
Beal J/Boothe J. Essex Music of Australia Pty. Ltd.
“Rudolph the Red Nosed Reindeer”
Marks John D. Peermusic Pty. Ltd.
“Santa Claus is Coming to Town”
Coots J/Gillespie H. EMI Music Publishing Australia Pty. Ltd.
Audience sing-a-long with Santa, Mrs Claus, Keith & Ensemble
Panto-Revue Band
Rhonda Vaughan- Conductor & Keyboard
Keith Morgan- Drums/Percussion
Bill Clark- Bass
CAST
IN ORDER OF APPEARANCE
E1 – Santa’s Accountant – Mark Stewart
E2 –Sweet Treats Elf- Ellie Martin
E3- Santa’s Gift Wrapping Elf- Andrea Bashfield
SKIVVIES- Brontee French, Amy Sacco, Annalei Warren, Kate Squires
Keith- Stephen White
Betty- Lou- Tracey Mitchell
Betty-Lou’s Mum- Mary Bryant
1950- Cheryllyn de Vries
1960- Lynda French
1970- Bella Barker
1980- Sue Hand
1990- Stewart Warren
2000- Lorraine Ellis
2010- Emma Stewart
2020- Colin Buckley
1950s Domestic Sketch- Cheryllyn de Vries, Colin Prossor, Amy Sacco
Santa Claus- Steve Morris
Mrs Claus- Bernie Kinsella
E4- Magic Toy Making Elf- Kerry Hollier
E7- Apprentice Elf on Work Experience- Angus Wilson
E8- Trainer & Keeper of Santa’s Reindeer- Barbara Mendleson
Maria Doll- Lynda French
Bride Doll- Juliet Charles
Trevor Teddy- Ross Hand
E5- Naughty and Nice List Administrator Elf- Claire Ruberu
1960s Domestic Sketch- Lynda French, Colin Prossor, Brontee French
1970s Domestic Sketch- Bella Barker, Juliet Charles, Colin Prossor, Annalei Warren
Airport Attendant- Stewart Warren
Demonstrators- Bella Barker and Emma Stewart
1980s Domestic Sketch- Sue Hand, Ross Hand, Lorraine Ellis, Colin Prossor
Supermarket Scene- Colin Prossor, Claire, Angus, Barb, Lorraine, Karen, Juliet, Ellie, Kate
1990s Domestic Sketch- Stewart Warren, Karen Shnider, Colin Prossor
2000s Domestic Sketch- Lorraine Ellis and Stewart Warren
2010s Domestic Sketch- Emma Stewart, Coin Prossor, Kate Squires
2020s Domestic Sketch- Colin Buckley, Lorraine Ellis, Sue Hand, Karen Shnider, Stewart Warren
President of Beaumaris Theatre 2023- Trevor Osburn
Production Team
Script & Original Lyrics- Cheryl Threadgold
Director- Deb Keyt
Musical Director – Rhonda Vaughan
Choreographer- Camilla Klesman
Stage Manager – Fiona Williams
Stage Crew- Deb Carpenter, George Klesman & Cast
Set Designer –Cheryl Threadgold
Set Consultant- Pietro Giordano
Set construction & decor – Jeremy Keyt, Steve Morris, Lynda French, Fiona Williams, Colin Prossor, Colin Buckley, Adam Solomon, Damien Calvert, Deb Carpenter, Kerry Hollier, Ellie Martin, Lorraine Ellis, Zara Solomon, Ben Solomon, Annalei Warren, Amy Sacco, Bernie Kinsella, Mary Bryant and Sue Hand
Toy Machine- Ella Creaton
Props – Deb Carpenter
Props Assistant- George Klesman
Costumes – Jenni Osburn, Sam Davies, Cheryllyn de Vries & Cast
Sound designer & operator – Adam Solomon
Lighting designer – Fred Pezzimenti
Lighting & sound operator – Zara Solomon & George Kapaklis
Foyer Décor- Lynda French
Flyer and program design - Luisa Marrollo
Photography - Tim Tselepis and Pietro Giordano
Videography - Tim Tselepis
Marketing - Kristina Doucouliagos
Front of House Volunteer Coordinator - Fiona Williams
Front of House Manager - Trevor Osburn
Box Office - Beaumaris Theatre Inc. Committee
Front of House staff - Beaumaris Theatre members and friends
Raffle- Jenni Osburn
Special thanks to Cheryl & Malcolm Threadgold for the loan of props and costumes and to Anna Johnston.
Founded in 1953, Beaumaris Theatre is a community theatre company based in Melbourne’s Bayside area. We aim to enrich the local community and provide entertainment and creative opportunities for all ages.
This year we are delighted to be celebrating 70 years of Beaumaris Theatre and working with the community to produce theatre experiences for all!
BEAUMARIS THEATRE COMMITTEE
President - Trevor Osburn
Vice President - Dan Bellis
Treasurer - Robyn Morris
Deputy Treasurer - Jenni Osburn
Secretary - Deb Keyt
Marketing Manager - Kristina Doucouliagos
Committee Members- Deb Carpenter, Georgy Charles, Harrison Ewart-Dart, Lynda French, Steve Morris, Jenni Osburn, Adam Solomon and Fiona Williams.
BEAUMARIS THEATRE LIFE MEMBERS
Bill Martin; Angela Martin; Roger North; Esme North; Roy Baldwin; Bea Beckwith; Anne Lowe; Jean Freer; Beth Kelsall; John Rees-Osborne; Nancy Sutch-Taylor; Edda Dawson; Barbara Franks; Annie Laurenson; Jenny Mullholland; Stephen Mulholland; Don Strong; Taffy Strong; Michael Coultas; Graham Eddie; Derek Curd; Janine Chugg; Debbie Keyt; Robyn Morris; Steve Morris; Neil Barnett; Rhonda Vaughan; Vince Vaughan; Danny Forward; Jenni Osburn; Trevor Osburn And Kristina Doucouliagos.
1950s
In 1953, Melbourne High School teacher Eric Meehan, pioneer of the MHS Drama Club and a Victorian school Junior Drama Movement, formed a theatre group in Beaumaris to foster an interest in drama and the arts. The group disbanded and quickly reformed, headed by Marjorie (Forbes) Cameron, Joyce Browne, Freda Warren, Del McDonough and a little later, Midge and Bob Procter, Pat Horne, Diana Coultas, Sheila and Chris Radford and other local enthusiasts.
In 1953, the first plays were presented in private homes including The Fire on the Snow by Douglas Stewart and the melodrama Hiss the Villain by A. R. Taylor and W. Ernest Cossons.
In April 1954, Angela and Bill Martin and Bea and Bob Beckwith joined the group. English immigrants, the Martins missed their homeland theatre, so Bill custom-made a little theatre in the attic of Talbot House, their new home in Cromer Road, Beaumaris. It housed about twenty audience members and had a small stage and dressing room.
A constitution drawn up in early 1954 named the group ‘The Beaumaris Players Club’, with Pani Waters appointed as President. The annual subscription for Associated Members was 5/-. Later in 1954, Marjorie Cameron left to form another local group, The Pointside Players.
Famous London actors Emrys Jones and Margaret Rutherford were among the guests attending special functions held by The Beaumaris Players. Company member Jean Freer recalled Miss Rutherford distinguishing herself by swimming in her cardigan and then retiring for an afternoon nap at Talbot House. Actor John Casson was a guest speaker at a club night held at the Cromer Road theatre.
The Beaumaris Players presented 15 successful productions over five years, with small, intimate audiences. The plays at Talbot House were so popular that seating demands exceeded the attic which accommodated 20 people comfortably.
TAA airline pilot Don Strong worked the lighting and sound for many shows, and years later confided his concern that the floor in the attic might collapse. ‘We used to pack 60 or 70 in there and the support beams weren’t built for that.’
In 1956, a building fund was opened, and the East Beaumaris Advancement League was approached for support. In 1957, Beaumaris Theatre’s current property at 82 Wells Road was built. The Student Group was formed in the same year, under the tutelage of John Bowes.
During this time the Beaumaris Newsletter, a free publication delivered to residents’ letterboxes, included news of plays and auditions presented by the Beaumaris Players as well as show reviews.
The final performance at Talbot House was titled ‘An Evening in the Garden’. An outdoor fundraiser for the new theatre, the cost of admission was ₤1.1.0 per person. Audiences dressed in their finest formal attire and enjoyed dinner, a Noel Coward play, a swimming exhibition, diving in the pool, dancing and refreshments.
In 1958, the Beaumaris Players presented As Long as They’re Happy as their first play in the East Beaumaris Advancement League Hall at 82 Wells Road, directed by Joyce Browne. Melbourne social identities Lillian and Richard Frank were now also performing with the company. In November 1958, Bill Martin and Pani Waters were elected as trustees of the building fund and Alan Warren became President of the club. Thelma Waters was appointed trustee of the building fund, with the idea of the possibility of a Community Centre. Eric Lyon was elected as a delegate to the Beaumaris Community Centre Committee. Ten plays were presented in the new hall during 1958 and 1959.
During the 1950s, the Beaumaris Players raised approximately £2,000 for charities.
1960s
By the early 1960s, the Council had built an extended front part of the theatre. This became the main performance area, and the original hall at the back became known as ‘The Clubrooms’. In 1961, the Beaumaris Players Committee comprised Joyce Browne, Richard Frank, Bill Martin, Chris Radford, Alan Warren, Joan Wilcock and Pixie Allen.
A plaque at the theatre reads, ‘The Centre was formally transferred to the Mordialloc City Council on 1st June 1963.’ Another plaque reads that the hall is named after (Australian aviation hero) Stanley Arthur Hawken, a Councillor representing the Mentone Ward on two occasions between 1956 and 1975, including as Mayor, and who was President of the Mentone RSL for many years. Today, Bayside City Council owns both halls.
The Beaumaris Players offered members a theatrical and social interest. Beaumaris at that time was a popular suburb for new British immigrants, and Midge Procter remembered Beaumaris post-World War Two as an ‘outpost’ where English former city-dwellers missed their visits to the theatre. Midge said the theatre group made ‘Beaumaris for us, a place to live.’ Midge and Bob Procter’s son Chris was active in the Beaumaris Players Club during the 1960s, before moving to become a major member of The 1812 Theatre.
Angela and Bill Martin continued holding functions in the garden of Talbot House. Cheryl (McPhee) Threadgold recalls the informal, friendly atmosphere in 1961 when rehearsing Hiss the Villain, directed by Angela Martin, in The Barn at Talbot House. The Barn was also the venue for Annual General Meetings.
The Beaumaris Players began making their mark in Victorian community theatre and 30 productions were staged during the 1960s.
In 1961, Joyce Browne won ‘The Best Producer Award’ in the Victoria Drama League Finals, and in 1962, Sheila Radford won ‘The Best Producer Award’ in the Regional Festival, coming third in the State finals. Jean Freer, with her first production, was awarded fifth place.
In 1962, Thelma Waters became the first elected female President of the Beaumaris Players, opening her home in Stayner Street to members. Other contributors to the Beaumaris Players at this time were Joan Wilcocks, Olive Lightfoot, Don Cowie, Pixie Allen, Esme and Roger North, Denis and Beth Kelsall, John Bowes, Jean Freer, Pat Horne, Bill Wright, Pat Guthrie, Taffy and Don Strong and Anne Low. Freda Warren’s artistic talents were invaluable for make-up and décor, as were those of her husband, Alan Warren, in set design and club activities.
In 1965, Dinner, Drinks and Drama Evenings were held, and Malcolm Robertson of the Union Theatre ran an Actors’ Workshop in Beaumaris for drama students.
1970s
During the 1970s, the Beaumaris Players continued to thrive, assisted by active members such as Juliet Charles, Dorothy Peden, Nancy Sutch-Taylor, Bob and Lou Rose, Roy Baldwin, John and Jean Rees-Osborne, Joh and Peter Johnson, Ursula and Gordon Johnson, Gillian Savage, Martin Gibbs, Fred Gough, Brian Howlett, Bill Penn, Ray Paxton, Tom and Irene Marsh and Geof and Annie Laurenson. The Gala Night parties were not to be missed and the theatre became a social hub. Audiences were known to adore these special functions. Fred Gough was a long-standing Treasurer, Committee and onstage member.
Director Brian Howlett’s productions are reputed as being particularly memorable. Dennis Kelsall was President for several years and worked in set construction, along with Roger North and Ray Paxton. Bob Rose performed for over 20 years, and his wife Lou regularly volunteered at Front-of-House. Bob and Bea Beckwith ran a student group in the Talbot House Barn.
Geof Laurenson continued his significant contributions to the group into the next decade – on stage, Committee, backstage, set design and building. Geof was instrumental in arranging the hall on lease and revamping/introducing the subscriber system. Geof’s wife Annie joined in 1979, contributing to all facets of production in over 30 shows. Annie remained with the company until the 1990s, returning in 2017 as a performer and director.
Roy Baldwin continued his whole-hearted involvement with the club, and Bill Penn hung almost every door on Beaumaris sets for nearly a decade. Tom Marsh assisted at set-builds and neither he nor his wife Irene missed a show working Front-of-House.
During the 1970s, Beaumaris Players presented a total of 49 productions.
1980s
In the 1980s, the company’s name changed from ‘Beaumaris Players’ to ‘Beaumaris Theatre Incorporated.’ The Gala Nights stopped when interest in home-cooking declined and so did the casseroles! 48 shows were presented at Beaumaris Theatre during this decade.
Company members continued to dedicate years, often decades, of their lives to Beaumaris Theatre. Key members at the time included Glenn Robinson as actor, director and resident cartoonist for many years, and Karen Sheriff, Sonja Patterson, Elaine Honniset, Dorothy and Dick Chadburn, Gillian Savage, actor and writer David Campbell, David Stephens, John Rees-Osborne, Dorothy Chadburn and Barbara Bateman. Chris Clark joined in the mid-80s, operating lights, and working on Committees and Sub-Committees, as elected Vice-President and often the major problem solver.
David Ellis’s photos captured the essence of each play, and Alf Montaro was a Committee Member, set builder and problem solver. Frances and Richard Hutson met when performing together in Arsenic and Old Lace in 1989, later marrying, while Roy Baldwin remained a mainstay of Beaumaris Theatre.
1990s
Almost 50 productions were presented during the 1990s, including the popular end-of-year revues. Dorothy Peden concluded thirty years with Beaumaris Theatre. Brian Howlett and John Rees-Osborne ended their twenty-year associations with the company, and Richard Hutson appeared as The Duke in The Merchant of Venice in 1998, aged 89. Stephen and Jenny Mulholland were major contributors to Beaumaris Theatre during the 1990s, remembered for ‘whatever needed doing, they did it well.’ Stephen Mulholland was the first member to write/perform in a full-length play (They Ran Naked, 1994), and coordinated the annual Revues which became popular annual local events. Edda Dawson’s great work as Ticket Secretary and Barbara Frank’s talented contribution to the company is also well remembered.
In 1997, friendships between Debbie Keyt, Janine Chugg, Robyn and Steve Morris formed during MLOC’s Dimboola would lead to Janine, Robyn and Steve joining Debbie at Beaumaris Theatre. All four would become significant contributors to the company.
2000s
Past President Derek Curd was a key player in encouraging stronger youth involvement and participation, and Graham Eddie also made significant contributions to the theatre.
D. K. Productions, founded in 2001 by Debbie Keyt, has offered drama classes for all ages and skill levels for over 20 years in a fun and supportive learning environment at Beaumaris Theatre. Also in 2001, Committee Member Jeffrey Laws introduced the Footlights Mentoring Programme for Years 9 – 12 students, to help build a younger audience.
Director Debbie Keyt introduced children’s productions to Beaumaris Theatre in 2003 with Bugsy Malone, creating a wonderful tradition of family-friendly productions. Also in 2003, Beaumaris Theatre culminated its 50th anniversary year celebrations by presenting the Beaumaris Theatre 50th Anniversary Christmas Panto-Revue, written and directed by Cheryl Threadgold, with musical direction by Rhonda Vaughan and choreography by Camilla Threadgold.
The annual Talbot Awards were introduced in 2004, named after the group’s first theatre at Talbot House, Cromer Road, Beaumaris and always produced and planned by Debbie Keyt. The Talbot Awards acknowledge special contributions by members each year.
In 2004, actor and director Janine Chugg became company President.
In 2005, the Australian premiere of Anonymous Theatre was presented at Beaumaris Theatre. Devised by a group of actors from Portland, Oregon, USA, Anonymous Theatre actors are unaware of their fellow cast members until opening night, having rehearsed separately one-on-one with the director and stage manager. After opening night, the show continues as a normal theatre season.
Sketches Amore was Beaumaris Theatre’s first foray into Anonymous Theatre, devised and directed by Desiree Munro in 2005, featured 14 actors in a series of six sketches about love, by well-known playwrights. In 2006, Nobody’s Perfect featuring four actors and a dummy, was directed by Ewen Crockett, assisted by Deborah Fabbro. In 2007, Anonymous Theatre co-creator Darius Pierce was invited to Melbourne, to reside with the then-company president Janine Chugg and direct Deathtrap with a cast of five actors. Brian Uniacke directed Bedside Manners as Anonymous Theatre in 2008.
The final Anonymous Theatre production was Dimboola in 2009, directed by Cheryl Threadgold, with a cast of 16 actors, a three-piece band and a concert party of seven, all rehearsed individually.
In 2006, the bio box with technical equipment was moved and installed in the rear of the theatre. Families significantly contributing to Beaumaris Theatre during this decade including Jennifer, David, Alistaire and Adrian Bowler and Rhonda, Vince, Joanne, Nicole and Dan Vaughan. Rhonda still contributes as musical director and accompanist, and Vince worked for many years on sound, lighting and set building. An incredible 54 productions were presented during this decade.
In 2008, Rita and Alan Crispin joined the company and Alan worked on upgrading and rewiring the theatre lighting system, while Rita re-introduced monthly play-reading groups. Wonderful sets, some award-winning, were designed and built in this decade and beyond by Neil Barnett, Ljerka Kelly, Fred Pezzimenti, Pietro Giordano and Chris Churchward, assisted by countless theatre members.
2010s
During this decade, Beaumaris Theatre’s four annual productions included a family show and musical theatre. Malcolm Flitman printed show tickets. In 2010, Beaumaris Theatre hosted a community forum on volunteering. In 2011, seven Beaumaris Theatre members and friends participated in filming scenarios for the Southern Community Mental Health program: Neil Barnett, Wendy McRae, Brian Uniacke, Cheryl Threadgold, Vince Vaughan, Marjorie Winslade, Lyn Laister and Juliet Charles. The films will be viewed by nursing and other students in the future.
Since 2009, Debbie Keyt has organised an annual Australia’s Biggest (& Latest) Morning Tea fundraising concert at Beaumaris Theatre in loving memory of members Barb Stewart and Lee Pezzimenti. Over the years, many thousands of dollars have been donated to the Cancer Council Victoria to support people affected by cancer.
In 2014, successful fundraising, including a concert starring Eddie Perfect, resulted in the installation of retractable audience seating at Beaumaris Theatre. The Osburn family’s contribution to Beaumaris Theatre in this decade and beyond includes Trevor Osburn (President), Jenni Osburn (wardrobe coordinator) and Leah Osburn (director/performer/choreographer). Beaumaris Theatre also hosted community talks on public health topics.
2020s
During the COVID-19 pandemic and periods of lockdown, Beaumaris Theatre remained active online, including inviting members to present monologues and musical numbers for ‘Theatre at Home’ series produced by Kristina Doucouliagos.
The Music Theatre Guild of Victoria announced the prestigious 2022 Edith Harrhy Award for ‘Outstanding Contribution to Musical Theatre’ was awarded to Debbie Keyt of Beaumaris Theatre.
The 2023 Beaumaris Theatre Committee comprises Trevor Osburn (President), Dan Bellis (Vice President) Debbie Keyt (Secretary), Robyn Morris (Treasurer) as well as Adam Solomon, Deb Carpenter, Fiona Williams, Georgy Charles, Harrison Ewart-Dart, Jenni Osburn, Kristina Doucouliagos, Lynda French and Steve Morris. Robyn Morris, Debbie Keyt and Steve Morris have each now served on this committee for over 20 years.
Shows presented during the 70th Anniversary year have been Puffs (directed by Dan Bellis and Kristina Doucouliagos), The Three Musketeers (directed by Fred Pezzimenti), Beaumarisical (celebrating 20 years of musical theatre at Beaumaris Theatre under the artistic direction of Danny Forward) and Little Miss Sunshine (directed and musically directed by Harrison Ewart-Dart).
The final show in 2023 is the Beaumaris Theatre 70th Anniversary Panto-Revue with script and original lyrics by Cheryl Threadgold (who played young Alma in Summer and Smoke 1959), featuring a cast of 20+ performers, directed by Debbie Keyt, with musical director Rhonda Vaughan and choreographer Camilla Klesman.
Many hundreds, if not thousands, of theatre lovers have shared their time, talent and skills in various ways to present theatre shows at Beaumaris Theatre for 70 years.
Beaumaris Theatre continues to play an important role in the fabric of Bayside life, blending the nurturing of new talent with experienced performers. People of all ages and backgrounds are welcome to join the Beaumaris Theatre family.
Theatre For All!